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Click hereLEMONIA PERFORCE=>ATHENS, CITY UNKNOWN <=> LEMONIA/(F)LEAP EDELTRAUD
ATHENS
FRIDAY NIGHT
5/1/2018
Real Poem Title:
TECHNICAL WORK (?)
(Close Bond)
To Edeltraud always prayerfully,
to Lemonia with love and playfully,
I wrote these songs that follow suit,
to me it's hard and complicated,
to have their stories thus narrated,
to build half-structures, then to quit.
Neither beginning,
nor an end in sight,
give them an inning,
build a Jumla site.
The biggest hindrance is my daily touch,
I can't avoid it, but it don’t help much,
with Lemonia in love sincere and sensual,
with Edeltraud more or less perceptual.
Neither beginning,
nor an end in sight,
give them an inning,
although things ain't bright.
To Edeltraud always prayerfully,
to Lemonia with love and playfully,
confusing cycles of endless songs,
my touch with them now, far from daily,
I'm still trying hard to sort them, mainly,
and put each one where it belongs.
As to my brain, the verse entwining,
as to my ears, the tunes defining,
as to my heart, confusion reigns,
I leave the tunes half-orchestrated,
I leave the verse, still half-narrated,
to add some more obscure refrains.
Neither beginning,
nor an end in sight,
give them an inning,
there's no black or white.
The biggest hindrance is my subjectivity,
it can't be otherwise, heart in captivity,
with Lemonia in love sincere and sensual,
with Edeltraud more or less perceptual.
Neither beginning,
nor an end is fixed,
two women grinning,
into one are mixed.
This was not due to schizophrenia,
only to anger, close to mania,
which her or I could not control,
that left these songs still half-narrated,
to sing this love, annihilated,
by turning all big things to small.
'Don’t even know, should I go backwards,
or tell it strait, throwing in some "fuckworks",
adding some drama for effect?
The tunes still waiting their orchestration,
the stories craving for their narration,
I go along and I select.
Neither beginning,
nor an end I want,
but Lemonia's and…
Edeltraud's close bond.
How a woman turns
in her direction,
but what is left still burns,
with some affection.
The times have some turns!
But still evocative,
accept their light that burns,
it's their prerogative.
NOTE:
"LEMONIA/(F)LEAP EDELTRAUD" refers to a person flipping in a leap year.